As I look back, my murky past was packed but, I know nothing I can do about it Groundbreaking debut full-length from MCR punk-funk pioneers A Certain Ratio! The four-piece stepped onto the Manchester scene in the late 70s, filtering the beloved funk stylings of Parliament Funkadelic and EWF through working-class, British, DIY post-punk aesthetics, with legendary designer Peter Saville at the visual helm and indie entrepreneur Tony Wilson as their manager and mouthpiece. The bands thorny jump-up grooves are underpinned by Simon Toppings deadpan, borderline-soulless vocal delivery, which firmly set the band apart from the mainstreamfunk and R&B of the day (although they did try damn hard to cross over a few years later). Often considered ACRs debut album, The Graveyard And The Ballroom is actually a collection of demos and live tracks culled from the bands early sessions – theres the breakout hit All Night Party, (taken from FAC5, the first single-artist / non-compilation release on the label) and two versions of both Flight and Choir, but dont sleep on the proto-Hacienda groove of Faceless, Strain and The Fox. It was originally only available on cassette – not sure why, its not like Factorywerent ever not hemorrhaging cash on all their various little passion projects. There was a modest vinyl issue back in 2004, but this one on orange vinyl comes courtesy of Mute and is housed in a semi-clear orange PVC pouch (a tribute to the original cassette housed in orange cellophane) with printed outer and inner sleeve, and contains the full tracklist from the original cassette. Limited edition of 1000, recommended.

• orange colored vinyl
• housed in orange PVC pouch
• printed inner sleeve, outer sleeve + insert
• digital download included
• limited edition of 1000
• music label:Mute 2018

reviewed bytom violence 12/2018

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A post shared by @turntablelab on Dec 21, 2018 at 10:57am PST